" Furor is defined as psychological isolation or dissociation via others... it's the feeling of certainly not belonging” The theme of Furor is explored in both equally TS Eliot's, The love music and Preludes and it is discovered though various poetic approaches including repeating and pet imagry. In both of these poetry the persona is in opposition from him self and coming from society.
A great way that the poet explores indifference is although use of imagry. He compares him to a cat, an insect caught up to the wall membrane and a crab. This in turn is him degrading him to the level of an animal which is seen as inferior to a human being. For example equal 58 this individual compares himself to an insect stuck around the wall " When I am pinned and wriggling on the wall. ”
One of the similarities between the take pleasure in song and preludes may be the theme of the vacant towns. These vacant towns happen to be how the character sees him self with the other folks in the world, as if everyone else can be socialising whilst he is caught up in a " vacant lot. ”
In the poem his passion song that deals with the personas indifference from females but in Preludes it handles Alienation from society in general. " One thinks of all the hands that are raising dingy tones in a thousands of furnished rooms. ” This quote reveals the uniformaty of world which alienates everyone in the city because of the lack of style.
Both of the poems as well deal with replication to increase the sense of alienation. In the poem the love song the character delays his meeting which is demonstrated by the poet person though repeating of " And indeed you will have time. ” The duplication in Preludes is that the finishing is the evening like the starting. This duplication shows someone the lonliness of the character types and the repetitive life with no sense of change.
Repeating is also utilized in this composition to convey that the alienation can be casued by persona and never the people around him. " In the room the ladies come and go talking of Michelangelo”. This is used two times in this poem to...